Sunday, 10 April 2016

Joining the dots for an Easegill through trip

After a tiring trip on the Saturday, we were all quite achy when we set off once again to Bull Pot Farm on Sunday, with the aim of completing the last leg of our through trip route-finding; Lancaster Hole to Wretched Rabbit. It was a beautiful morning, with sun in the sky and snow on the hills.

Taking some lessons from the amount of kit we carried the day before, we left two SRT kits tied to the end of the rope at the foot of Lancaster Hole and left the tripods in the van! The route finding went well and we made good progress.

We stopped for a quick photo at Bob’s Boss and Painter’s Palette, then passed Fall Pot, Montague East and West and Stake Pot, following descriptions we had printed out.

The highlight of today’s trip was a section of passage called The Minarets; a beautifully shaped and decorated tunnel where we stopped and took a few photos. Brendan however found that his camera lens had developed condensation on the inside from its dunking the day before, so again his photographic plans were foiled.

There seemed to be a lot of awkward climbs up and down, some with bits of muddy rope to help us. The longest of these had a long, muddy rope downwards which led to an even muddier rope upwards where I managed to get my cowstail caught on a knot and had to be rescued by Mark.

Eventually we were into passage that the boys recognized from previous trips and they romped off into the distance, leaving me to stumble my way over greasy boulders. After pointing out to them delicately and with hardly any swear words that I couldn’t learn the route if all I was looking at was my feet, they let me go ahead and soon I too recognized the way we were going.

Taking a shortcut to Wretched Rabbit we climbed out of the now far too familiar entrance. All the snow had gone and we were even out in time to join some local friends for dinner at a nearby pub. 

Bob's Boss (Photo Brendan Marris)
The Minarets (Photo Mark Burkey)

Present: Jess Burkey, Mark Burkey, Brendan Marris

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